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  • Katja Abbott | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Katja Abbott "After studying graphic design and working as a freelance graphic designer, illustrator and editor for many years, in 2022 I completed a Visual Arts degree (cum laude) through UNISA. Using a variety of mediums including clay, textiles and mixed media, I explore animal forms and imaginary realms that emerge through dreams. The creatures serve as gateways to the instinctual phenomenal world, silent familiars or emissaries bridging the conscious and unconscious worlds." - Katja Abbott Sundiata Katja Abbott ceramic 21 x 15 x 9 cm R3,900 Mizuki Katja Abbott glazed ceramic 24 x 16 X 8 cm R3,900 Mitsu Katja Abbott Ceramic 19 x 12 x14.5cm R3,700 Tashi Katja Abbott Ceramic 22 x 14 x 9cm R3,900 Suki Katja Abbott Ceramic 22 x 14 x 9cm SOLD Miso Katja Abbott Ceramic on wooden stand 24 x 13 x 8cm SOLD The Revolutionaries - Orange Cast Katja Abbott Ceramic on wooden stand 46 x 25 x 20cm R8,500 The Revolutionaries - Green Cast Katja Abbott Ceramic on wooden stand 46 x 25 x 20cm SOLD Porkie Katja Abbott Ceramic & Fabric Sculpture SOLD Elwood Katja Abbott Ceramic & Fabric Sculpture SOLD

  • Austen Gordon | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Austen Gordon "Austen's work explores illustrative realism, wordplay and principles of aestheticism. She is interested in taking a theme or a subject matter, working and re-working it and watching it evolve and change. Her current work draws on endless references found in nature, namely flowers, and she represents these blooms and foliage in a manner that recalls, but does not quite mimic, reality. Her works possess a sense of stillness juxtaposed with a flurry of detail and application of colour." Afternoon Delight Austen Gordon Gouache and pastel pencil on paper 93.5 x 66.5cm R14,000 To be loved, is to be seen Austen Gordon Oil on unstretched canvas 83 x 59cm R18,500 Summer Romance Austen Gordon Gouche on paper 31.8 x 32cm R6,000 With friends like these Austen Gordon Gouache and Acrylic on Paper 42 x 59.4cm Framed R8,500 Let your guard down Austen Gordon Gouache and Acrylic on Paper 42 x 59.4cm Framed R8,500

  • Lulu Luvski | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Lulu Luvski 'Lulu Luvski is a pseudonymous South African- based visual artist specializing in painting and sculpture. Active since 2023, his whimsical and satirical works have been described as “pop-art, but with a sloppier and more hand-made feel”. He refers to his work as “absurdist-illustrations”. Or “slop-art”. Luvski’s preferred method of painting on Plexiglas in reverse, and his exclusive use of flat colours combined with simple childlike drawing gives his paintings a screen-printed look. His sculptures are made from wax-based clay/ air-dry clay and are then moulded and cast in either resin or bronze. His art making philosophy is simple: life writes and he illustrates. Part spy/observer, part artist, he insists that his art “happens to him”. Seemingly insignificant events are celebrated by ending up in his paintings and sculptures. “The initial idea-spark is everything, and needs to be captured and served up as fresh as possible. Subsequent over-thinking, re-drawing and tweaking just tends to water it down and fizzles it out”. His favourite place is balancing right on the edge of life’s endless but beautiful absurdities, where things could either tip over into a quirky sculpture or fall slap-bang into a wonky painting. Luvski never attends the party, but still paints it.' - Lulu Luvski SUMMERTIME FIASCO Lulu Luvski Acrylics reverse painted on Plexiglass 60 x 60 cm R10,000 JAR KING Lulu Luvski Resin sculpture (#2 / 16) 18 x 35 x 18 cm R12,000 YES Lulu Luvski Acrylics reverse painted on Plexiglass 60 x 60 cm R10,000 LITTLE BOSS Lulu Luvski Bronze sculpture (#4 / 24) 8 x 12,5 x 8 cm R13,500

  • Craig Cockcroft | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Craig Cockcroft Vote Here Craig Cockcroft Collage 24 x 31cm Framed R3,650 Venice Craig Cockcroft Collage 24 x 31cm Framed R3,650 Garden of Eden Craig Cockcroft Collage 24 x 31cm Framed R3,650 Dark Star Craig Cockcroft Collage 24 x 31cm Framed R3,650 Eight Craig Cockcroft Collage 24 x 31cm Framed R3,650 New vs Old Craig Cockcroft Collage 24 x 31cm Framed R3,650 Forest Fired Up Craig Cockcroft Collage 24 x 31cm Framed R3,650 Vicious Circle Craig Cockcroft Collage 24 x 31cm Framed R3,650

  • Corne Eksteen | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Corne Eksteen Corné (Cornelis Johannes) Eksteen is a Contemporary figurative painter, renowned for his "vibrational" portraits, still lifes and landscapes that loosely relate to the Disrupted Realism painting movement. His work relies on Figurative, Abstract, Optical and Pattern Art influences in the creation of pieces that explore the subjective nature of the early 21st century psyche in the face of unprecedented technological and social transformations. Currently works are created from reference photos taken in the studio or on site. They are printed and cut into vertical or horizontal strips. Every second strip is removed from the image leaving only sections of the original image intact. This segmented image is transferred to the canvas and during the painting process each omitted strip is painted as a mirror image of the previous strip. It’s a complex process of reproducing the visible strip in the reference photo and creating a mirror image of it, while maintaining a visual connection with the following strip in the image. The result is that lines and forms in the image starts to resemble sinusoidal wave forms. Parts of the image will get changed or broken down to pattern for which patterned wrapping paper or wallpaper often serves as inspiration. Works are primarily produced alla prima. Optical Bias XY - XII Corné Eksteen Oil on canvas 30 x 30cm R6,440 Optical Bias XY - VIII Corné Eksteen Oil on canvas 30 x 30cm R6,440 Optical Bias XX - IV Corné Eksteen Oil on canvas 30 x 30cm R6,440 Optical Bias XY - III Corné Eksteen Oil on canvas 30 x 30cm SOLD Optical Bias XY - V Corné Eksteen Oil on canvas 30 x 30cm R6,440 Optical Bias XY - IX Corné Eksteen Oil on canvas 30 x 30cm R6,440 Ripple VI Corne Eksteen Oil on Canvas 15,25 x 15,25 x 2cm R2,645 Vibration Study VI Corne Eksteen Oil on Canvas 15,25 x 15,25 x 2cm SOLD Vibration Study VII Corne Eksteen Oil on Canvas 15,25 x 15,25 x 2cm R2,645 Ripple V Corne Eksteen Oil on Canvas SOLD Ripple IV Corne Eksteen Oil on Canvas 15,25 x 15,25 x 2cm SOLD Ripple VII Corne Eksteen Oil on Canvas 15,25 x 15,25 x 2cm SOLD

  • Arno Morland | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Arno Morland “Being human is hard work. There’s a lot of detail to get through and a very firm deadline. For the most part, you just have to keep your head down and get it done. There isn’t much time to stand back and take in the bigger picture. Unless, of course, it’s your job. There are people like that. Take me, for instance. I have to zoom out until we all become small in the distance. Then I have to report what I see. Think of a drone hovering far above the admin. It’s not really that I see anything new or different from there. You don’t grow infra-red sensors when you use a wide-angle lens. It’s something else. Something more like the way you look at things. You see all those hot little explosions of love and ambition, fear and elation that drive us onward, inward, together and apart and a compassionate smile inadvertently forms around the corners of your mouth. How can one not love this messy humanity: it’s indefatigable striving; it’s restless feeling about in the dark; it’s child-like hope? We are tragic, comical and glorious! I send you these sculptures and paintings from over there. Because I love you. Because I want you to know that when you look backwards and forwards at your life like it’s a movie you’ve seen before, you are not out of place. You belong in the world. You are one of us. We’re in this together.” - Arno Morland in those days peoples hearts were light and they flew everywhere Arno Morland Acrylic on canvas 78 x 63 x 4cm (framed) R23,550 Beware of love if you don't enjoy feeling good Arno Morland Acrylic on canvas 78 x 63 x 4cm (framed) R21,550 - JOB - the bad news is you are falling the good news is there is no ground. The good news is you are flying the bad news is there is no ground. Arno Morland Acrylic on canvas board (Framed) 63.5x83x3cm R22,500 what happens happens to me through me as me Arno Morland Acrylic on canvas board (Framed) 63.5x83x3cm R22,500 seacrit hiding place Arno Morland Acrylic on canvas board (framed) 54,6cm x 44,6cm R12,630 the big picture Arno Morland Acrylic on canvas board (framed) 54,6cm x 44,6cm R12,630 Future Shade Arno Morland Resin Mounted on Stone 36cm x 16cmx 16cm R15,800 Personal Growth Arno Morland Resin Mounted on Stone 30cm x 44cm x24cm R18,790 Voice of Reesin Arno Morland Bronze Mounted on Stone 29cm x 22cm x 13cm R19,690 Nobody Understand Gawd Arno Morland Bronze Mounted on Stone 29cm x 19cm x 16cm R19,690 Unscared Womin Arno Morland Bronze mounted on Stone 21.5cm x 24.5cm x 10.5cm R19,690 Little Miracle Arno Morland Bronze Mounted on Stone 21cm x 20cm x12cm R19,690 Littel Inside Voice Arno Morland Bronze Mounted on Stone 24cm x 22cm x 14cm R19,690 The Troof Arno Morland Bronze mounted on Stone 31cm x 18.5cm x 11.5cm R19,690 Silent Screem Arno Morland Bronze mounted on Stone 41.5cm x 16cm x 12cm R19,690 Deep Finker Arno Morland Bronze mounted on Stone 20.5cm x 17cm x 13cm R19,690 Big Dreemer Arno Morland Bronze Mounted on Stone 32cm x 23cm x 12cm SOLD Dreem Chaser Arno Morland Bronze mounted on Stone 24.5cm x 20cm x 10.2cm SOLD Voice of Reesin Arno Morland Bronze mounted on Stone 28.5cm x 21.7cm x 13cm SOLD the wind blows to be a blower, the clouds drift to be drifters and man tickles the earth to make it laugh Arno Morland Acrylic on canvas board 60.5 x 46 x 4cm SOLD a drop in the ocean art though and the ocean in a drop too Arno Morland Acrylic on canvas board 76,2 x 60,9 x 4cm SOLD to be a drifter upon the ocean or to be an ocean below the drifter or to be both Arno Morland Acrylic on canvas board 60.5 x 46 x 4cm SOLD such is that ocean of compassion in which all is destined to drown Arno Morland Acrylic on canvas board 76,2 x 60,9 x 4cm SOLD A wave does not fear the oshen Arno Morland Acrylic on canvas board 78 x 62cm SOLD Do fish control the ocean? Why then, should we imagine, that love may be mastered? Arno Morland Acrylic on canvas board (Framed) 63.5 x 79 x 4cm SOLD

  • Grace Kotze | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Grace Kotze "My work is motivated by the challenge of fusing my emotional intent with visual and technical concerns. At present oil painting is my primary tool, its phenomenally versatile nature offers never-ending possibilities of exploration. In order to produce works of integrity I have to paint from an emotional point of reference. I am very aware of utilizing imagery I have a profound connection to. My paintings function on an autobiographical level documenting both my internal and external vision. I paint places and people from my everyday life, using the familiar as a direct link to an emotive sense of self." - Grace Kotze Batman gets into all sorts of trouble Grace Kotze A4 Acrylic on canvas R3,800 Micky and Mini dance a jig Grace Kotze A4 Acrylic on canvas R3,800 Cupid Grace Kotze A4 Acrylic on canvas R3,800 A game of cat and mouse Grace Kotze A4 Acrylic on canvas R3,800 Tintin has a sweet tooth Grace Kotze A4 Acrylic on canvas R3,800 Rediscovered Childhood Grace Kotze Bronze 12,7 x 7 x 5,2cm R5,000 The Voyage Grace Kotze Bronze 9,7 x 9 x 9cm R7,500 Life Celebrated Grace Kotze Bronze 11,2 x 7 x 5,2cm SOLD Stepping Out Grace Kotze Bronze 11,5 x 6 x 8,5cm SOLD The Gourd and the Weaver Grace Kotze Acrylic on Canvas 50 x 80 x 4cm SOLD A Stack of Penguins Grace Kotze Acrylic on Canvas 40cm x 80cm x 4cm SOLD

  • Dylan Whale | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Dylan Whale I work across the fields of Education, Ecology, and the Arts. As such I work with several tentacles touching the world, as an Educational Sociologist, Political Ecologist, multi-media artist, theatre and film maker. The closest thing I have to a religion is the place where ecology, story and mythology meet. I am constantly entranced by the power of public storytelling as a mechanism for healing, empathy, meaning-making and fostering inclusive forms of governance in complex social-ecological entanglements. My areas of research span a wide spectrum, including Transgressive Social Learning, Public Pedagogy, Theatre-based Research, Arts-based Research, Visual anthropology, legal anthropology, Queer Eco-Pedagogy, Post-humanism, New Materialism, and critical African feminist approaches to co-engaged research. I am most interested in the profound role of connective aesthetics, social sculpture, and 'making' as essential forms of thinking and theorizing, what I like to call “meaning ∞ making Sitting Shiva for Palestine Dylan Whale Embroidery on Hemp 31 x 30 x 3,5cm R8,500 All Eyes I Dylan Whale Collaboration with Keiskamma Art, Embroidered Hemp Fabric 30 x 30 x 3,5cm R14,250 All Eyes II Dylan Whale Collaboration with Keiskamma Art, Embroidered Hemp Fabric 30 x 30 x 3,5cm R14,250 Coral Boy 4 Dylan Whale Mixed-Media archival print Edition 1/8 (Framed) 562 x 52 x 3,5cm R8,500 Night Vigil V Dylan Whale Felt, embroidery thread and Wire in collaboration with Keiskamma Arts Project 48 x 50 x 10 cm R13,400 Coral Boy 3 Dylan Whale Mixed-Media archival print Edition 1/8 (Framed) 562 x 52 x 3,5cm SOLD Night Vigil VI Dylan Whale Felt, embroidery thread and Wire in collaboration with Keiskamma Arts Project 49 x 50 x 10 cm SOLD

  • Johan Alberts | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Johan Alberts "In my recent collection of acrylic and oil paintings – entitled HOMOGENISE – I consciously shine a spotlight on prejudices and promote unity by altering and reworking familiar and famous artworks. My significant twist is the way in which I add an African narrative into the mostly Eurocentric imagery. I feel my current work speaks to a global audience through its sense of nostalgia. People immediately recognise the original artwork and then do a double-take on it. “What the heck is going on here?”. I hope to communicate more universally relevant characteristics with my art. Those things that are present in everyone – however they identify, wherever they call home, whatever life looks like. By splicing apart two seemingly diverse worlds and uniting them on canvas, I pay homage to our gorgeous similarities. And hope to communicate this: don’t we look even more beautiful together than apart? I feel that people are too quick to focus on the differences – the distortion – between one another. Out of a sense of fear, they reach for what is theirs and hold it close, defining anything that doesn’t fit within their tight parameters as different and in turn, a threat. After all, the existence of differences within society is driven and empowered by cultural and artistic narratives. As an artist, I have the power (and responsibility) to inform these narratives, alter them as I see fit, and do it through beauty and colour. I do this by taking what is known and accepted and overturning it by introducing cultural narratives that have been overlooked for far too long. How do our similarities AND differences – ethnically, culturally, religiously, etc – enhance and empower our lives? Through my art, I use emancipation, strength, immortality, beauty, and the acceptance of pain as a natural part of life as my guides. All with the intention and ultimate goal of inclusion. For as long as I can remember, the main aim of my art is to offer a visually pleasing respite from the dull doldrums of the everyday. I want to add beauty to the world, and offer people an opportunity to dwell within a colourful, hopeful space as they consume my art. From a more societal and political perspective, I set out to communicate how our differences – be they ethnic, cultural, religious, gender, etc – are also gateways to our similarities. My art is an invitation towards inclusion. " - Johan Alberts Portrait of Adelola (after Petrus Christus) Johan Alberts Oil on Canvas 61 x 91 × 3,5cm R21,500 'Lulu Griet II' (after Vermeer) Johan Alberts Oil on Canvas 61 x 91 × 3,5cm R21,500 Munirah (after Fornasetti) Johan Alberts Oil on Canvas 92 cm diameter R20,500 Adah & Baako, Two Girls Reading (after Picasso) Johan Alberts Oil on Canvas 102 x 102 × 4cm R27,500 Nabulungi In Front of a Mirror (after Picasso) Johan Alberts Oil on Canvas 76 x 102 × 4cm R20,000 Yamina, Young Lady with Gloves (after De Lempicka) 100x120cm R35000.jpg Johan Alberts Oil on Canvas 100 x 120 × 4cm R45,500 Tamala Tamara- Printemps (after De Lempicka) Johan Alberts Oil on Canvas 100 x 120 × 4cm R45,500 Rabiah & The Girls Johan Alberts Oil on Canvas 100 x 120 × 4cm R45,500 Aberash Adele- the Women in Gold (after Klimt) Johan Alberts Oil on Canvas 91,5 x 122 x 4cm SOLD Portrait of Taliba & Elisabetta Gonzaga (after Raphael) Johan Alberts Oil on Canvas 61 x 91 × 3,5cm SOLD Autoportrait - Adabelle Tamara in a Green Bugatti (after De Lempicka) Johan Alberts Oil on Stretched Canvas 100cm x120cm SOLD Baderinwa (after Tretchikoff) Johan Alberts Mix Media: Acrylic & Oil on Stretched Canvas 180 x 130cm (70”x51”) SOLD 'Mawiyah Monroe' (after Warhol) Johan Alberts Mixed Media on Canvas 101,60 × 101,60cm SOLD 'Namibian Van Gogh' (after Vincent) Johan Alberts Oil on Canvas 120 x 100 × 4cm SOLD 'Quiver Vincent' (after Van Gogh) Johan Alberts Oil on Canvas 120 x 100 × 4cm SOLD ‘Nehanda- Woodland Goddess' (after JH Lynch) Johan Alberts Mix Media: Acrylic & Oil on Stretched Canvas 91 x 182cm (72”x36”) SOLD Abiona In The Car (after Lichtenstein) Johan Alberts Mix Media: Acrylic & Oil on Stretched Canvas 152,4 x 101,6cm (60” x 40”) SOLD ‘Enomwoyi With An Ermine’ (after Da Vinci) Johan Alberts Mix Media: Acrylic & Oil on Stretched Canvas 92x 92cm (36”x36”) SOLD

  • Mariëtte Momberg | INK BOX ART

    INTERESTED IN THIS ARTIST'S WORK? CLICK HERE TO CONTACT US: Mail Mariëtte Momberg Mariëtte Momberg is an experimental printmaker who explores the multi-faceted relationship between humanity and nature with her socio-political views often central to her creative output. Her work has been described as impactful and evocative with elements of pop-art and a decidedly contemporary spin. Combining graphic imagery with bold pattern and colour, illustrated in linocut and mixed media, her art practice continues to evolve into a vibrant and varied body of work which strives to balance aesthetic with narrative and humour. She is passionate about the environment and feels that creative efforts should make a conscious effort to minimise environmental impact. Mariëtte is self-taught and has been practicing as a full-time artist since 2018. Prior to pursuing a career in art, she had worked in Academia as a social health researcher specialising in reproductive health and rights. She is an active member of the all-female printmaking collective, The Printing Girls. Ripple Mariëtte Momberg Reduction linocut 30 x 30cm R2,900 Glow and behold Mariëtte Momberg Reduction linocut 54 x 36 x 4cm R6,500 Framed (SOLD) R5,500 Unframed Afterglow Mariëtte Momberg Reduction linocut R5,500 Frost Echoes Mariëtte Momberg & MISHVANIA Cyanotype 1/1 52 x 52 x 4cm R8,500 Cosmic Femme Mariëtte Momberg Reduction Linocut A2 Unframed: R4,900 Framed: R6,400 Tranquil Dissonance Mariëtte Momberg Collaged Drypoint Edition:1/1 60x110x4cm Framed: R24,000 Changes Mariëtte Momberg Reduction Linocut Unframed (55x38cm): R5,680 The Universal Mariëtte Momberg Reduction Linocut and thread Framed (111x46cm) R22,000 The Universal Mariëtte Momberg Reduction Linocut and thread 110x38cm R13,000 Rise and Ruin I Mariëtte Momberg Intaglio, tetra pack drypint 100 x 49cm R14,500 Rise and Ruin II Mariëtte Momberg Intaglio, tetra pack drypint 100 x 49cm R14,500 Rise and Ruin III Mariëtte Momberg Intaglio, tetra pack drypint 100 x 49cm Unframed: R14,500 Framed: R24,000 Space Cat (Framed) Mariëtte Momberg Stone Lithograph 64 x 47cm SOLD As we know it Mariëtte Momberg Reduction Linocut SOLD Alone Mariëtte Momberg Reduction Linocut and thread Framed: 54x54cm SOLD Clicktivism Mariëtte Momberg Reduction Linocut Framed (34x34cm): R6,200 Unframed (31x31cm): SOLD Ground Control Mariëtte Momberg Reduction Linocut Framed (59x44cm) SOLD Unframed: SOLD Resist Mariëtte Momberg Reduction Linocut 54 x 40cm SOLD

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